eProceedings 2014

Susana Viegas and Maria Teresa Teixeira (Eds), International Conference on Philosophy and Film eProceedings Volume 1, 2014.

eProceedings volume 1_2014

CONTENTS

FIGURES DU DEUIL. ROLAND BARTHES ET KRZYSZTOF KIESLOWSKI, Agnieszka Kaczmarek    4

PHOTOGRAPHIC REALISM IN THE CINEMA OF TURKEY: REVIEW OF NURI BILGE CEYLAN’S FILMS, Ala Sivas Gulcur   17

F FOR FAKE AND THE PARTICULARITY OF NORMATIVE MORAL ASSESSMENT, Ana Falcato   30

THINKING TECHNOLOGY IN TIME: PROCESS-TIME AND PRODUCT-TIME IN TECHNOLOGICAL ANIME, Andreu Ballús and Alba G. Torrents 44

ON FILM ANALYSIS AND REPRESENTATION: KRZYSZTOF KIEŚLOWSKI’S AMATEUR (AMATOR, 1979), Atenea Isabel González   54

EXPLORATION, INVENTION AND IMAGINATION: THE MYTH OF ICARUS IN ANDRÉ BAZIN, Blandine Joret   64

THE MOTION IMAGE AS THE LOCUM TENENS OF THE FILM. AN ONTOLOGICAL ENQUIRY ON THE ABSENCE OF THE NATURAL RULES, Bogdan Nita   79

ACCESSING MODERN SELF THROUGH FILM, Carla Milani Damião   95

“IMPOSSIBLE TO SEE AT HUMAN EYES”: FROM PHOTOGENY TO PYROTECHNICAL CINEMA, Daniela Angelucci   108

TUNING OUR TIMING: TIME DISTORTIONS IN CINEMA AND EMOTIONS, Dina Mendonça   117

TOWARDS AN OPTICAL TECHNOLOGY OF SELF: CONSCIOUSNESS, EMBODIMENT AND ECOLOGICAL MOVIEGOING, Giuseppe Gatti   143

THE DECLINE OF HOLLYWOOD NARRATIVES: HOW THE INTERNET IS SHAPING THE CREATION AND APPRECIATION OF FILM, Laura T. Di Summa-Knoop   160

FILM AS AN IMPOSSIBLE PERSPECTIVE ON REALITY, Mark Perlman   174

CAN A FILM BE A RITUAL? ON THE POSSIBILITY OF REATUALISTIC CINEMA, Matthias De Groof 186

ESSAY AS FILM: JULIO BRESSANE’S BRÁS CUBAS, Patrick Pessoa   198

FILM-EDITING TECHNIQUES AND SPIRITUAL VIEWPOINTS OF REALITY, Ran Lahav   207

ARIRANG: FRAGMENTS OF FICTIONAL AUTOBIOGRAPHY, Roberto Lai 216

REFRAINS AND THE ‘CINEMATIC LISTENING’ OF THE SONGS IN THE MOVIE ONCE, Rodrigo Fonseca e Rodrigues   232

“A SEXTET FOR OVERLAPPING SOLOISTS” – POLYCHRONIC TEMPORALITIES IN TYKWER’S AND THE WACHOWSKIS’ CLOUD ATLAS, Sonia Front   242

NARRATIVE IS NOT IN US; BUT IT IS WE WHO MOVE IN A BEING-NARRATIVE, A WORLD NARRATIVE, Steffen Hven   260

LYRIC TIME AND LEE CHANG-DONG’S POETRY (2010), Steve Choe   278

STANLEY CAVELL AND UKIYO-E : REDISCOVERING REALITY THROUGH THE CINEMA, Veronica Cibotaru   292

PINA 3D AND THE SENSIBLE POWER OF MOVIES, Vladimir Vieira   302

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